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WELCOME TO MY WORLD!

wildlife artist, photographer, veterinarian and conservationist

When an artist gives physical form to an experience, they give it permanence. This idea lies at the heart of my paintings; I am driven to share my exploration of animals in their wild habitats and forge connections to our humanity. 

 

I have always lived a life dedicated to animals, from working as a veterinarian to becoming an internationally award-winning wildlife artist. My oil paintings transport you into the worlds of marvelous creatures. I am driven to share my exploration of animals in their wild habitats and forge connections to our humanity. 

 

My process begins with travel and exploration. I travel to learn more, to experience more, and to feel more. My photography anchors my memories. I translate these experiences into oil paintings.

 

I begin by designing my composition using my photographs and sketching the composition onto the canvas. I use a grid system to ensure my proportions are correct. I then glaze over the sketch with a burnt sienna wash to unify the piece and establish basic values. From here, using my set and premixed palette, I begin to block in the main shapes and further define the values. I use my paints straight, without mediums. I primarily use Gamblin and Winsor and Newton paints.  I continue to build up color and texture and details until the fur and feathers, and rocks and water, feel palpable.

 

I want to connect the viewer to the animals in a way that encourages examination of our humanity: love, family, vulnerability, curiosity, conflict, joy, peace, and excitement. The journey of each piece begins with my experience translated onto canvas. The journey continues with the imagination of the viewer. I strive for my paintings to convey a resonance with wild animals and beautiful places, a sense of freedom, and a connection with nature.


 

Michelle McCune, DVM

“When it comes to conservation art, it is not just painting pictures to raise money for a worthy cause, though that is very good. Art is also education.”

-GAMINI RATNAVIRA

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Biography of Artist Michelle McCune DVM

 

Reaching out and scratching the hide of Sudan - the last male northern white rhinoceros - at Ol Pejeta Conservancy in Kenya in 2016, profoundly encapsulates Dr. Michelle McCune’s mission as an artist. Her work centers on animals in their wild habitats, highlighting their lives and their challenges.

 

Currently based in northern California, Michelle grew up in the Midwest. She developed a strong connection with animals early in life, finding a sense of comfort and belonging in their presence. Her passion for animals led her to a career in veterinary medicine. She completed her veterinary degree in 1996 from the University of Wisconsin-Madison. During her studies, she had no idea how her experiences would shape her and lead her to a second career as an artist!

 

While in veterinary school, Michelle was fortunate enough to travel to Namibia in 1993 and work with the Cheetah Conservation Fund. This trip ignited a passion in her for conservation efforts and the flora and fauna of the African continent. Although she didn’t start painting until 2001, her first subjects were from this trip, and wildlife became the ongoing theme of her work. 

 

Initially, she did not see how her art could help her fulfill the drive to help conservation efforts. She was busy working as a small animal veterinarian and raising a family, but felt something was missing.  Upon discovering Wildlife Art Magazine (no longer in publication), Michelle learned the impact art has on conservation efforts. She found workshops with wildlife artists and attended as many as possible to learn about techniques and philosophies, as well as strengthen her basic art foundations. She studied under the late Terry Isaac, Susan Labouri, the late John Seerey-Lester, Jan Martin McGuire, Greg Beecham, Dustin Van Wechel, and her two greatest influences, John Banovich and Guy Combes. It was the words of John Banovich in Wildlife Art magazine that touched her heart and gave her the courage to pursue her art as a vehicle to support her passion for conservation. In his words, “There is no great nobility in creating an incredible painting… If I am going to be remembered, it is as a person who caused people to think and realize how important wildlife is.”

 

All of her work is based on experiences from her travels and direct encounters with animals. She takes photographs which are used as anchors to her memories, then returns home to her studio to recreate a moment in time using oil paints on canvas. Her paintings provide the viewer with a bridge into the world of marvelous animals portrayed, prompting reflection on personal experiences and connection to nature. The viewer is given the freedom to live with the animals, in their world, even if only imagined. Evoking feelings often forgotten in the rush of everyday life, Dr. McCune’s paintings invite appreciation of wildlife and their habitats and encourage awareness for future generations. 

 

Dr. McCune continues her dedication to animals, domestic and wild. She paints in her home studio 3-4 days per week, practices veterinary medicine part-time in California, volunteers at Ano Nuevo State Park to educate guests about northern elephant seals, and of course travels as much as possible. She spends as much time outdoors as she can, observing and photographing wildlife. She continues to attend workshops and expand her knowledge. In 2026, she will teach her first workshop in South Africa, an intimate conservation and art-based safari.

 

Dr. McCune’s work has received many awards and been internationally recognized. She is a signature member of the Artists for Conservation.

Michelle McCune
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“There is no great nobility in creating an incredible painting… If Iam going to be remembered for
anything, it is just as a person who caused people to think and realize how important wildlife is” - John Banovich

Michelle McCune

INSPIRATION

Michelle McCune

Nature inspires me; hearing the rumble of elephants or smelling the fresh rains transform the plains of Africa,  hearing waves crash on the rocks while a mother otter pulls her baby upon her belly to clean its fur so it won't get cold, listening to wind in towering trees. I love to watch the bees in my own garden flit from blossom to blossom and watch the different blooms as seasons change. Nature's beauty surrounds and inspires me!

TECHNIQUES

I use my experiences as inspiration.

 

My photos anchor my memories and I research for any other information needed for a piece.

 

My initial drawing on the canvas is detailed to give me an accurate road map to follow. I use a grid system on my canvas and references to ensure proper placement and proportion of the composition.

 

I create a value study using a glaze of Burnt Sienna and sometimes burnt umber. I life off the lightest lights. This acts like topography on my "map" as values are what really give dimension.

 

I then begin building up big shapes and gradually building texture and details using the vibrancy of oil paints to bring the subject to life! The fur and feathers should look real, palpable. Water and rocks should look as you see in nature.

I use the best quality stretched canvases and my oil paints are mostly Winsor and Newton and Gamblin.  I use very little mediums aside from the initial value glaze.  I set up the same palette for each painting, using 9 main colors. This allows me to dive right in and I always have what I need ready for me!  It also provides a cohesiveness in my work.

“Style has no formula, but it has a secret key. It is the extension of your personality, the summation of this indefinable net of your feeling, knowledge and experience.”

-Ernst Haas

AWARDS

Michelle McCune

2025 Live exhibit for the Artists for Conservation - “Hope Emerges”

2024 Live exhibit for the Artists for Conservation - “Legacy”

2024 Cheetah Conservation Fund Best in Show - “Looking Ahead”

2023 Live exhibit of the Artists for Conservation - “Drill Sargeant”

2023 Richeson 75 International Animals, Birds and Wildlife - Finalist for “Story Time”, Meritorious for “Sip and Stroll”, “Big Daddy”, and “Thelma and Louise”

2022 Live exhibit for the Artists for Conservation - “Sealed With A Kiss”

2021 Live exhibit for the Artists for Conservation - “Band of Brothers”

2021 Richeson75 International Animals, Birds and Wildlife - Finalist for “Splatter”, Meritorious for “Sealed With A Kiss”

2021 Live exhibit for the Artists for Conservation - “Band of Brothers”

2021 Virtual show for American Women Artists

2020 Live exhibit for the Artists for Conservation - “Shake!”

2020 Richeson75 International Animals, Birds and Wildlife Competition - Meritorious for “Shake!”

2019 Live exhibit for the Artists for Conservation - “Dinner Cruise”, Virtual exhibit - “Wave Runner”

2019 “Wave Runner” chosen as calendar cover for the 2020 Artists for Conservation calendar

2019 Richeson75 International Animals, Birds and Wildlife - Meritorious for “Brave New World”, “Dinner Cruise”. and “Pachy Play”

2019 Judges Choice Los Altos Rotary Show

2018 Live exhibit  for the Artists for Conservation - “First Responders”

2017 Live exhibit for the Artists for Conservation - “Better Run”, Virtual exhibit - “Better Hide”

2017 Richeson75 International Animals, Birds and Wildlife Competition - Finalist for “Better Hide”, Meritorious for “Locked and Loaded”, and “Tu maini ni amani”

2017 Third Place Animals and Figurative - Los Gatos Art Association -  “Better Hide”

2016 Virtual show for the Artists for Conservation - “Sudan - Facing Extinction”

2016 Richeson75 International Animals, Birds and Wildlife Competition - Meritorious for “Situation Critical”, “Spanish Lights”, and “Sudan - Facing Extinction”

2016 November Finalist and Best of Show - Sedona Arts Prize for “Sudan - Facing Extinction”

2016 Best of Show - Mundelein Arts Festival

2016, 2015, 2014, 2013, 2012, 2011 Purchase Awards - Mundelein Arts Festival

2014 Live exhibition for the Artists for Conservation - “Meeting of the Minds”, Virtual exhibit - “Just a Nibble”

2013 Cover image for the September 15 issue of the Journal of the American Veterinary Medical Association - “Nathan’s Koi”

2012 Live exhibit for the Artists for Conservation - “Mbogo”, Virtual exhibit - “Montezuma’s Feast”

2011 Best of Show - Art in the Barn (Barrington, IL)

2011 People’s Choice Awards in March, April and May at the Starline Gallery

2008 Live exhibit for the Artists for Conservation - “Contemplation”

“Paintingss, sculpture and photography all have the power to evoke emotion, inspire and educate.”

- BOB KUHN

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